#carousel layout

[magicpaint]

sebek + layouts

[bananahkim]

[foundmars]

Alright time for another dca theory rant at early am... bc im tired of the community sleeping on the dca lore implications and not talking about it.

So today I was playing Security Breach, I recently finished my first run and working on getting afton ending and/princess ending. And being the completionist as i am, i go to all the areas to get all the gifts and bags with notes. But some caught my interest.

I was going underneath the backstage tunnels (the ones where you see the "Freddy you're supposed to be on lockdown" scene with Vanessa) and i found a little ally you need Montys claws for, as i do, i open them and to find a small room filled with twisted looking trees and branches with a projector in the middle of the room to a large screen upon orange tarp covering circular objects. I find it more strange because it first reminded me of the Dredbear games in Help Wanted vr games, then it reminded me of Fall Fest but also of the theater room in the pizzaplex. Weird right? Well the present on top of the projector was a Sun figurine.

Does that count as Sun being more connected with Fall Fest? Far fetch for something of a vague room but it was just odd to put something like that in there.

Then as I got lost adventured along the hallways, I found the area were you get chased by Monty, Chica, and Roxy in those misty hallways near those same tunnels. Well. I found another Monty claw access room where it looked familiar. It was the same or VERY similar layout as the frankinstine mini game in Help Wanted VR where you put the bot pieces together. It was literally the same room. tvs, conveyerbelts and all. And thats where I found the Moon figurine.

And typically you find these character figurines in related areas, like alot of chica stuff will be in the kitchen or her bakery, Roxy stuff in raceway or near any chase sequences. Stuff like that, its relevant, it makes sense. So why put Sun and Moon, one of the most vaguest characters (that has collectable items mind you, i dont see any vanny or music man plushies anywhere) in spots that reference completely something else but also familiar to the player/fanbase?

Also, now knowing what we know now about fall fest? We have seen a lot of references to it at this point and who is the recurring character to show for it? Sun and Moon.

Moon (physically) in carousel games in Help Wanted 2

Sun (as a voice) in first carousel game as announcer in Help Wanted 2

Jack-o-moon in carousel on fire in Help Wanted 2

Jack-o-moon in secret level of Foxy's ride in Help Wanted 2 (and i point this out as like a maybe thing, I know this was in the Plex but i can also see this as a carnival game, but also, why Jack-o-moon? his clothing and look is so vintage, it would be more accurate if it was just moon because he was chasing us through the plex, not this jack-o character)

BB World arcade. It takes place in a carnival as well. And as one of the few playable minigames thats even tucked away and hidden that takes alot of effort to get to, has to mean something. You have the Sun and Moon in the background starting with Sun happy, then goes to Moon whos mischievous and evil looking, then back to Sun who looks mad and so on. Thats also where we make our first impression on Eclipse. Well maybe not so much its Eclipse...

When you follow the glitch line in the BB world minigame, what happens at the end? We found that the creepy looking sun/moon replacement covers the screen and prompts in purple "good night". We deemed this sprite Eclipse. Which fair. Thats what we knew at the time. Look at it again. Please. It does not look like Eclipse. It looks like Jack-o-Moon better. It has the correct coloring compared and even has an odd mouth coloring like who we see in Help Wanted 2 than to the Eclipse we see in Ruined. So the "Eclipse" we see in not Eclipse, it is Jack-o-Moon. Which makes sense because that may the dca was at the time of Fall Fest was.

Everytime we see Fall Fest, its Jack-o-Moon (vise versa).

I hope this made some slight sense or you saw where I was going with this because Im actually loosing my mind.

[w3bgrl]

chan and his 1st child/yt.com

creator. [subtitles/translations.]

𓂃 ࣪˖ ִֶָ𐀔 intro: hello my fellow smoothbrained friends. welcome or welcome back! today we will be taking a look at some bangju moments over the past (almost) 6 years with stray kids that never fail to warm my heart <3 if you like these kinds of posts consider interacting or sharing your favorite moment! thank you! now to what we’re really here for :)

𓂃 ࣪˖ ִֶָ𐀔 stray kids survival show

splayed under the blue light from his computer screen, chan’s dexterity over the mouse begins to slow followed by heavy eyes fighting against the cozy weight of gravity lulling him to sleep, his loss against this force signified by his slowed, deep breaths.

[using the track as a lullaby, he goes straight to dreamland]

speeding up the footage reveals a better understanding as to how long he really sat asleep in his chair until a cut transitions to his new position leaned against the back, somewhat sitting up still with the room light shining bright as ever above his head.

[but, it sounds like someone’s at the door!]

soft shuffling footsteps reveal a squinting juyeon with major bed-head. [it’s the members’ mother hen!] carefully she reaches across the sleeping boy to his mouse, sliding it around on his track pad a bit clicking here and there, and then the screen goes black. [taking care of the leader making sure his work was saved. but…] she then turns and waddles out of view again. [what is she doing?]

the audible flip of a light switch shrouds the room in darkness, and from within this darkness, juyeon’s whispered coos could be heard.

[JY: oppa. come on,]

[BC: hm?]

[JY: to bed. everything is saved, just get under the covers.]

[~hardworking leader chan gets tucked in bed by angel juyeon, who looks after the member responsible for the rest. as long as he’s got her by his side, chan’s well taken care of.~]

[JY: sleep well, channie~]

𓂃 ࣪˖ ִֶָ𐀔 finding skz running man

stopping near the carousel in the center of the mall chan sighs heavily with his hands on his hips, catching his breath as he scanned over the layout once more. “ah — i really don’t know. i haven’t seen her at all.”

after pausing to listen for any movement within the building - and only hearing the commotion from the other boys - chan turns with a mischievous smile toward the camera man “do you know where she is? have you seen her?”

[meanwhile…]

cut to juyeon narrowly avoiding seungmin as he came down the hall, crouching to duck behind one of the arcade machines just in time for him to pass by without noticing the older girl. the second she decided he was far enough was when she took off in the opposite direction with the cameramen racing to keep up with her.

juyeon comes to a stop once she reaches the main room, the lights from the carousel twinkling in her wide eyes once she spots the blonde boy across the room.

[like a deer in the headlights, billie appears!]

chan is already looking in her direction as he throws his hands up mousily. “wait,” he says, masking the ulterior motives apparent to everyone but juyeon “will you help me?”

“help you?” she repeats, still as a statue whilst chan ambles over to bridge the gap between them. [will she fall for the leader's trick?]

“have you seen felix?”

a suspicious smile grows on juyeon's lips as he draws closer and her own palms raise defensively, taking half a step back from the boy whose mask of innocence had begun to slip the closer he got. "oppa." she says like an accusation. a bright smile dawns on chan's face.

"i'm not after you."

juyeon is now fully backpedaling. [she doesn't believe him] "oppa, have mercy."

there is a brief pause as chan seemingly weighs his options with his eyes still locked on hers, his jolly grin becoming more and more pixy with each passing millisecond before he abruptly lunges forward for her with outstretched hands to grab her nametag. juyeon nearly threw herself into one of the pillars behind her to protect the name on her back.

"please! you're my favorite member!"

chan now stops just before her with eyebrows knitting together before he laughs at her interesting tactic. "i'm your favorite?"

"totally," juyeon giggles "especially when you give me a five second head start."

"more than changbin?" he adds, prodding at her will to bargain. she simply tilts her head.

"who?"

[and with that, the deal is sealed]

𓂃 ࣪˖ ִֶָ𐀔 2 kids room

“honestly,” chan starts, removing the lollipop stuffed in his cheek as he sat criss-cross on the blue corduroy couch “i love this hair color on you.”

“really?” asked juyeon with a surprised smile, whose fiery red hair had become a hot topic recently. he hummed.

“i think red suits you well. of course you’re always pretty but the red really catches peoples eye.”

now giggling bashfully, juyeon subconsciously tucked an aforementioned red strand behind her ear to reveal her peachy cheeks, eyes sparkling with appreciation despite her response. "you've been suspiciously supportive recently — i feel like i need to look out for blackmail or something.”

“what is that supposed to mean?!” the leader shrilled, almost pouting, arms flying to fold across his chest teasingly at her insinuation. however, this feigned offense was quickly replaced by the smile accompanying his laughter at her mirroring of his demeanor.

“you know i can’t accept compliments!!”

“well! —” he began with the same chaotic energy before abruptly halting himself to instead dial it back with a nonchalant shrug “that’s okay, at least you know.”

juyeon, peeling open her eyes squeezed shut to hide from the embarrassment, now dropped the arms crossed tight against her chest and subsequently her guard. she spoke in a soft hum to mutter, “it is nice to know, though. i do appreciate it…”

“good. you should know how precious you are.”

“ew!”

𓂃 ࣪˖ ִֶָ𐀔 chan’s room phone call

“hmm…was it a different name?” chan mumbles, more to himself than the stay watching his livestream as he searched for that particular day6 song he wanted to talk about, eyes quickly scanning over the titles in hopes of finding ‘the one.’

“oh! here it is.”

he begins playing ‘i loved you’ before sitting back in his chair to intently listen along with stay. it begins with the buzzing of crickets before jumping right into the members’ gorgeous and clear voices, and after only half a minute or so of nodding his head along with their labelmates past masterpiece, the discernible buzz of his phone against the table quickly catches his attention.

“oh!” he pauses the music to pick up his phone “it’s bibiya! let’s see what chu’s up to.”

chan answers her call below stay’s view, indicating that she’d actually facetimed him, made glaringly apparent by the bloop! as it connected. if that wasn’t evidence enough then surely juyeon’s squeaky voice coming through the speaker did, the leaders face lighting up prior to his laugh.

“sorry!! i just remembered about your live!”

chan quickly turned the volume down as he chuckled “it’s okay! the more the merrier. do you want to say hi?”

“yeah! can stay hear me?”

he nodded, eyes flicking up to filter through the live comments now buzzing with her name.

“helloooo stayyy! is channie entertaining you well? don’t forget about his weekly sunday live like i did. uh…make sure to eat well and get lots of rest!!”

chan would giggle before pulling his eyes from the comments and back to the screen out of view. “do you want me to call you back?” he asked quietly, wary of the audience listening in on the reason why she called “i’ll be done in 30.”

“oh — that’s okay — i just wanted to know if you still wanted to watch that movie with me tonight.”

the leaders eyebrows raised high, eyes panning up to the live almost like a scene from the office before looking back down at the girl on his screen.

“did you forget?”

“no! i remember!” he blatantly lied with a giggle “we’ll sit down to watch it as soon i get home, okay?”

there was an exasperated sigh before her response. “okayyyy. have fun with the rest of your live. bye bye stay!”

chan would mutter his own goodbyes to his bandmate before she hung up, and then his focus would immediately shift back up to the audience before him, a bashful blush dusting his cheeks as he laughed once more.

“i definitely forgot about the movie tonight. don’t tell joong.”

𓂃 ࣪˖ ִֶָ𐀔 dinner w/ billie live

“okay, next!” juyeon turns from the pot of noodles boiling on the stovetop to then grab the jar of alfredo sauce on the counter “this is my favorite pasta of all time — after jjajangmyeon — so we’re gonna use a lot of it.”

the pajama-clad girl then attempts to open the lid using both hands, her face screwing together with pursed lips as she visibly uses all her might to twist the top off. “oh, man,” she wheezes, resting to glance up at the comments before trying again “it’s really on there!”

juyeon now readjusts her grip to get as much of her hand on the lid as possible, her other holding the jar tight as to not drop it before taking another shot at opening the precious sauce, nearly folding into herself at the waist as she once again fails to unscrew the lid.

“jeez! did they glue it on there or something?” she huffs “why is it so difficult? that’s so rude.”

for a moment she stands there in front of the camera, dumbfounded and red-faced as she looks over the jar like there was another method hidden underneath, before holding her index up to the audience now laughing at her struggles.

“hold on,” she says while backing toward one of the bedroom doors she’d banished the boys to while she was on live “don’t go anywhere! i’ll be back!”

thankfully, due to the positioning of the camera she’d set up in the kitchen, stay were still able to see juyeon as she waddled over to knock on one of the wooden doors with mumbles of ‘the stupid jar.’ this door would then open to reveal a comfy-looking and barefaced chan with a smile already on his face as he exited the darkness and entered the living room to take the jar from her.

it would only take him the few seconds of a walk back into the kitchen to then successfully pop open the blasphemous lid that had publicly defeated juyeon. he’d outwardly laugh as she stole the now-opened jar from his hands, a vexed frown on her lips.

“i loosened it for you.”

“oh i’m sure.”

𓂃 ࣪˖ ִֶָ𐀔 stray kids survival show

[the members are hard at work, practicing their performance relentlessly to polish even the smallest of details before presenting themselves before jyp and yg in the morning]

the group looks wholly exhausted as the song then comes to a close, their heaving breaths and faces glistening with sweat acting as a visual indicator to how eager they were to give a good performance in front of not only their own boss but also yg and his trainees, hands flying to rest on their hips as they tromped over to their water bottles.

the boys’ quick disperse from the formation in the middle subsequently revealed a haggard-looking juyeon with her fingers interlocked behind her head. a quick zoom-in on the panting girl would expose her trembling bottom lip as she blinked rapidly before cranking her neck to look up at the lights on the ceiling.

[juyeon looks troubled]

chan, sitting in the right hand corner of the screen as he messed with the speaker, could be seen with his attentive leader gaze on the red-faced girl. to the untrained eye — namely the viewers watching who still didn’t know the members very well — his furrowed brow and pursed lips could easily be read as irritation towards the black sheep of the group. however, the speed with which he stood in order to be by her side after she turned her back indicated otherwise.

[leader chan is quick to check in on his members when they’re struggling]

“hey,” he hummed, placing a hand between her shoulders to seclude them from the other boys “you okay?”

chan’s soothing presence would be the catalyst that revealed juyeon’s true state even as her back was turned to the camera, face hidden from view as her frail, shaky voice exposed the tears she’d fought to conceal.

“yeah — sorry — ts’stupid”

“hey,” he’d say again, now moving to stand in front of her to catch her gaze “what’s up?”

juyeon shook her head, dropping her interlocked fingers to instead wipe the tears on her cheeks. “i don’t know — nothing — i’m good”

“talk to me, joong. you don’t have to find the right words, just tell me how you’re feeling.”

[although juyeon tried to hide her troubles, chan won’t let her suffer alone]

“m’just…scared. what they’ll think — what they’ll say…”

chan’s response was immediate; certain and encouraging as he brushed her hair from her face. “that’s okay, ju. it’s okay to be scared. it’s okay to worry about what people will think, we all do, but you can’t let it eat at you. they’ll say what they’re gonna say, but at the end of the day, you’re still the talented juyeon we know you are — you know you are. don’t let the fear stop you from doing what you love.”

with this, juyeon sighs. she stands there for a moment to take in his encouraging words, marinating his verbal and nonverbal support in her mind before nodding shortly once more.

“we’ll all be there to back you up, ju. always.”

[juyeon may be anxious about tomorrow, but she has her boys to stand behind her, and they’ll defend her to the ends of the earth]

[southcodes]

is it over now? | preview , code

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[4pplec0re]

okay. okay. site thoughts. here are my thoughts

obsessed with the layout

big fan of audios playing when you click on or hover over certain things

really cool carnival theme, of course

so many lesbian colored things ??? they fw the lesbian palette

i really like the fan land <3 i hope i can get up there sometime. i wonder when/if they plan to switch it up. like how often

I LOVEE THE YEARBOOK <3

they will never let noel live down the taco bell thing... GET A JOB! STAY AWAY FROM HIM! /ref

i like the ferris wheel and carousel designs! suuuuper cool!!!

my merch thoughts get a whole separate category

at first glance--super lame. horrible colors. not much visual interest. my favorite is virgil!

after exploring the actual shop, you can see that they have a lot of different color options. better color options. why they used that lame fucking gray to advertise the logo shirt rather than my FAVORITE shade of green is beyond me. even the white is better. why is gray even an option its so boring.

pink virgil shirt is hard

still, not a lot of variety. while i am happier with the actual options, i wish most of them weren't just text. i wish there was more visual interest. the site looks super cool in my opinion, making the merch even MORE underwhelming.

anyway, i will probably be buying the cyclone logo in kiwi and potentially pink virgil <3 overall, love the site, still disappointed with the merch

also they need to get on tumblr dude why are they on insta of all things. im also shocked theyre not more active on tiktok. come on folks get with the program we're all on the tumbley

also they need to ship to asia because oomf lives in asia and i think he deserves cyclone merch too

[theplottdump]

EEP! My story queen wants to yap? Then yap we shall baby girl!

1, 7, 8, 10, 13 (or ya know, maybe a selection of these since ya girl went a lil wild and chose a whole bunch 😌)

1. Do you hide any secrets in your stories that only a few people will find?  

Scully you're not gonna believe this

7. Do you have any characters you believe might be misunderstood by your readers?

CLAP - CLAP CLAP CLAP Say it with me now -

OUR PHANTOM IS A NEW CHARACTER WE HAVEN'T FULLY MET YET 👏👏👏

8. Are there any plots or characters that have changed dramatically since you initially began writing them?  

(Proto-Poppy's Cult Fit circa late 2023, Root test shots from May)

For this arc everything has been pretty steady. I knew what information I wanted to get across, what points I needed to hit as set up for the Finale of Gen 6 and Gen 7. The biggest change has probably been the Bar scene.

Originally I had it planned as a little dance hall scene. The girls diffuse tension by getting the town to do a little choreographed line dance to Beyoncé's Texas Hold Em. But I didn't want to pose out a line dance, it felt like too much work. So I said hey- what if i made myself do three times that work instead? And it turned into a flashback clip show that took me three weeks to complete, but I think in the end it was way better cause I got to hop back and forth and show little scenes from the past. Revisiting the High School Prom post explosion was probably my favorite.

One Other Change: I originally planned the Christmas Ranch to roughly mirror the layout of Magic Town, with the Stables as the Big Top and the Gazebo as the Carousel. The original plan was to have Poppy chasing the Phantom as the ridiculous environment of the Christmas Ranch slowly morphed and twisted into the Carnival. This got scrapped because I lowkey forgot I wanted to do that, and yeeting her into a canyon felt more realistic than following a ghost for 10 miles back to the Ranch. Eventually she was supposed to catch up to our Masked Man, turn him around, and snap herself back to reality seeing she had turned around Alejandro in the real world.

( horse portkey! horsekey! )

This was scrapped because 1. It's a little confusing since the Phantom is NOT Ale. (see Question number 7 again) and 2. It morphed into more of a "I need to find something to get out of here before I'm corrupted" situation, so there was no reason for her to chase the Phantom any more.

Shoutout to @doctorsimcraft for suggesting Ale dropping his glasses and turning it into a little inter-dimensional meet cute instead.

And if you wanna be a freak about it like I am, technically he touched her hand before she could touch the glasses. :')))

10. If you could choose to be one of your characters for a day, which one would it be? 

SUNNY. I wanna explore underwater caverns with my shitty lil mermaid bestie.

13. What characters do you feel most connected to? Why do you feel connected to that character?

I'd say Poppy. Not like on a personal - IM JUST LIKE YOU / YOU'RE JUST LIKE ME - level, but on a - "I really like this character and oh baby girl you are just getting started I'm so sorry" way.

Also she's fucking on to me man.

[askfuse]

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[magicpaint]

playful land + layouts

[aizawashuichi]

If you still have it (and I know you do, you're not me, to delete things and regret later lol) please please post again that detailed presentation of wammy's layout and structure, please...

My greatest piece, so I can't delete it even under torture lmao. Since it was an ask, I included that part too.

Anonymous: Salutations. First off; I would like to thank you for humoring my questions, by far. Having been in the fandom (Death Note) for quite a while can be daunting at times considering how persistent everyone is on certain views that, more often than not, contradicts the canon itself, though I do not mind the originality. Some of the questions you might remember answering from me would be; 1. How unfair it is for everyone in this fandom to go full autobiography mode on Light Yagami but wrote a piss poor characterisation of other characters. 2. L would not enjoy fighting for Justice under Light's idea There might be more, but these two are the ones that I remember writing and asking. I rather enjoy reading your point of views. Being an avid Lawlight shipper myself (which you might found dissapointing, and for that, I apologise) I found it rather... boring that most, if not all, were very insistent that L would join Light's side if given the opportunity while writing him very, very poorly. I enjoy these two through the energy they emitted while actively going against each other. Not when they shook hands and went about it all the same like a carousel ride. Second: What is your opinion on the whole Wammy's House organisation debacle? On A and B? The whole Successor Programme? I don't like it. Having being nurtured the same as these children does, I absolutely resented it. Partly because of how harmful the product of the whole environment, largely because of how it reflects the morale ground Quillsh Wammy stood and what he believes in. I despise men in suits, even more so than people in orange jumpers or stripped, black and white outfit. (Call me E.H. I would like for us to be friends. Mutuals.)

Please, E. H., I would be honoured to be mutuals, but how could you betray me like this? Mid-message? Dropping a bomb of that size on me and my blog?

Seriously, though, I would like that. I will overlook this little flaw of yours, because not everyone can be perfect, and I will accept you with open arms.

Okay. Really dropping the act this time. You don’t have to apologies for shipping them, even though I suppose it was more ironic than anything. I already have mutuals that are like you. I filtered out the various tags concerning L/Light – there are a lot of variations –, and I am fine.

I will survive if I add one more��� Hopefully — but I think, in this case, it is more of a “probably”, because you do seem to share some of my views on the whole manga/anime and that means we have some common ground, even though I believe that is not that difficult.

I am really glad you like reading my long-ass posts, because I do enjoy writing it. I actually was waiting for some kind of feedback from you, because, truthfully, I wasn’t sure if your opinions were supposed to be just published without any input from me or if you actually wanted me to say something.

I was both confused (didn’t understand why you decided specifically my blog, since it’s not that well know) and delighted by them.

In any case, I am happy to see this message, especially the last part. You are the first person on here who explicitly stated the wish for my friendship. I didn’t expect that at all. I’ve been told that I seem intimidating, and I still don’t get why, so seeing that someone isn’t put off by this, it’s a nice feeling.

I will now get to your questions, and the post is going to be long, because it’s on a topic that I am actually working on and wanted to do a post of my own, but felt like, “why would people care?”, so I am glad that you do.

PREMISE

I need to make a premise before, because I feel like this is relevant to understanding my opinion.

I would love to kick myself in the face every time I happen to mention it (even though I do so to help my motivation), because it seems that I bring it up so many times and it’s making me annoyed, like, “can this bitch (me) just shut the fuck up already?”. However, it’s important in this context.

I am writing a fanfiction about the Wammy’s House, during L’s years there. And, since I am doing this, my idea of the Wammy’s House is crafted in a way that can make my story work, but I do realize this, so I will try to eliminate all my OCs’ stuff (I think I’ll mention them), even though I still believe that some roles or events I have created can be considered plausible (not canon, of course), because they help explain some things that I noticed about L while reading the manga.

Another thing is that this is a work in progress and while I have an outline for the plot, a lot of things about the Wammy’s are still not definitive. So, everything I say is not set in stone. [This question also made me realise that I made a huge error when it comes to the timeline of my fanfic, which screwed up half of the outline, but thank you, I guess.]

Other than this, Ohba left a wide-open door for any interpretation of Watari and the Wammy’s, because he didn’t think too much about them. He just wrote them in for plot purposes and never developed them properly, so anything goes, theoretically, so maybe I will be a bit more lenient on both. I don’t deny the possibility of them being pretty fucked up, because I cannot say that what I think is completely backed by canon. To each their own, but since you have experienced a similar environment, I had to preface this, because my view on it doesn’t adhere to the reality of some of these institutions, and I don’t want you to believe that I’m oblivious to the real-life problems that occur.

I think I took more liberty here, because I had few things to start from, and I’m really fond of the idea that the people (Roger and Watari too) at the Wammy’s were like a family, with its ups and downs (more downs than ups – even in my fic, so I realise that not everything is all peaches and cream). It’s just the wishful thinking of my younger self that so desperately wanted to be part of that world, and I have a hard time getting rid of it.

I must also say that most of my choices regarding the Wammy’s structure and organisation is based on “gut feeling”/intuition. More often than not, I feel if something is right or wrong, even though I can’t pinpoint exactly what’s the reason for that. I just have the impression that something must be in a certain way, and if I don’t comply to this, it just feels uncomfortable until I fix it.

WATARI & ROGER

I want to start from them to explain exactly what I think of these two, particularly their past and what led them to create the Wammy’s.

Reference to another post I wrote – headcanons about Roger – but you needn’t to read it, since I am going to repeat it here, and it talks more about their relationship than the Wammy’s.

In my mind, Watari was both a professor and an inventor. The professor job needed to provide for him before his inventions took off and gave him enough money to live comfortably for the rest of his life, since it seems that he was quite rich, even before L gained something.

So, together with Roger, who was his assistant, he was in close contact with different types of students and noticed the disparity between those who can study and have the resources and those who don’t have them but have the abilities to continue. Of course, they couldn’t intervene in the private business of these people. Instead, they discussed knowledge, intelligence, and the social economic situation of England (and later around the world) that didn’t allow young kids, especially orphans, to develop themselves and their abilities, since they didn’t have the means.

Not trusting the state institutions with their money, they decided to take matters into their own hands and had in mind to create an orphanage that had an internal school, so they can provide them resources and knowledge, without making them sacrifice any of those.

But then a dilemma appeared: “what if some kids can learn faster than others and we end up slowing them down?”

[learn faster than others – because “prodigy” doesn’t mean anything when it comes to orphans that don’t have resources or any help from adults.]

And from that dilemma, the Wammy’s House was born. It was a specific type of the institution they had in mind, which was meant for those who seemed more capable than others.

It’s said that Watari owns different orphanages, but they are not talked about like the Wammy’s, so it’s safe to assume the main difference is this one – what kind of kids are there and what they learn.

About Roger, I honestly think that the “he hates kids” was added to have some sort of comedic effect. However, if it was meant to be taken seriously, and I do consider it canon, there are two reasons to me:

He began to hate them, as he continued to work at the Wammy’s, because they pulled pranks on him. He’s not fierce – shown to us by how he responded to Mello grabbing him and how he stopped Mello from bothering another kid. He is quite passive and not confrontational, so I believe he was an easy target for the kids, and he grew to despise their behaviour and to be quite afraid of them in a way, because, while he tried to stop Mello, his attempt was shallow. I don’t think this is because he didn’t care, but because Mello was angry at him, and his explosive nature made him wary.

Romantic reason: the kids, and especially L, took Watari from him – before and after his death. Watari was too occupied with his work that he almost forgot what he and Roger had. That obviously pained Roger and he began to resent the situation and those who stole him and his attention. That would explain why their relationship grew cold, because we don’t see Roger communicate with Watari once, so it means that something happened that drove them apart – aka these kids got in between.

No matter what the reason is, Roger tries to be emotionally distant from them. I have this trope that I associate with him of the grumpy old man having to deal with a kid because of circumstances he cannot control, and he grows attached to them, wanting to protect them at best of his abilities. But this is my wishful thinking, but I believe he has those moments in which he thinks, “maybe they are not that bad”, and they then do something that makes him annoyed, and he’s like, “never mind”.

Watari is emotionally not present too, not because he doesn’t want to be involved, but because he is still an inventor before becoming L’s right hand indefinitely and full-time, so he has to fulfil that role and be involved in that community to promote his stuff, to develop it, and etc. Also, the Wammy’s and the other orphanages are relatively new in my opinion, because he first established them when he’s around 40-45, so a few years before L was born, and he has to make sure they all work as he wants to, and he has to make connections so he can find these kids to bring to the Wammy’s. So, he has a lot on his plate.

WAMMY’S HOUSE

Location

I have actually thought about this for a long time, and even wrote a post (after I finished this section, I noticed that I was repeating word for word what I had put here, so please, consider reading it for all the reasons).

Littleton, in the north-west part of Winchester.

I know I’m kind of going the extra mile by doing this, but I’ve always dne it for every structure I had to write something about, so the Wammy’s gets a real-life location too.

The actual true reason for which I chose this location is because it’s near big fields, and I needed that for plot purposes, but even without considering that, it seems to fit what we know about L’s life there.

He played tennis – there’s a tennis court 20 minutes by foot from there. Relevant that it’s by foot, because I imagined that Watari couldn’t constantly leave the Wammy’s with L for long periods of time and multiple times a week. He had other affairs to attend to, aside from his responsibility at the Wammy’s. In my mind, during L’s time there, Watari was still working on his inventions, which meant he had to attend meetings and conventions and whatnot.

A’s suicide – there’s a church where he can be buried. It can be reached by foot, so the kids could attend his funeral. I also have a morbid headcanon that B took his body from his grave. I also liked to tie the church to L hearing bells before he dies, so this closeness would make it possible for everyone inside the Wammy’s to hear them.

Big space – because the Wammy’s seems to be pretty big by the manga panels we have, and I have a specific idea of how it’s structured, both its exterior and interior, so it was necessary to have many hectares available.

Structure (New floor plans)

I made floor plans. I started this a while ago and never actually completed it, because the site I was using was infuriating, but I found an app, and managed to copy what I had done in the other one. I forgot to change the names of the rooms, because I created this to help me visualise the setting of my fic, so ignore them for now (I will point out some names there, just to explain one thing).

It’s not definitive, because I still don’t understand where I should put their stairs – or if to put them, ‘cause based on Mello and L’s egos, they already think so highly of themselves that I don’t think they need a staircase to reach the first floor.

In my fic, I didn’t explicitly state where they are supposed to be. I’m letting the readers figure that one out for me, while I just stick to say if they go down or up them. The main problem is not if they should face or not the entrance, because they have to, but where the hell are on the first floor? My gut feeling keeps making me imagine them next to Lex’s room, but that doesn’t make sense and would be pretty ugly on the ground floor – they would be too close to the entrance, and I hate it. So, I’m just going to ignore it, until it becomes a problem, which I doubt because I’m the one writing this, and nobody is going to police every single detail.

[EDIT 2025: fixed it. They are a pair of stairs with landing halfway that merge from there in one staircase.]

The two unnamed bedrooms on the ground floor are for people that work there (cooks, cleaning people or the nurse) that can’t go home for reasons.

In my fic, one of the rooms is always vacant, because I imagine that the employees are near the Wammy’s, so they don’t need to stay there, and it became a storage closet, with all of things – costumes and decorations for all kinds.

It’s a pretty big institution. The size of the rooms might not give that away, but it’s big. It has high ceilings, and the classrooms and bedrooms are longer than wider, but they are still very spacious. When I write and imagine it, even it’s from the perspective of small children, I envision everything to be comfortable even for older kids.

I couldn’t add everything I think it has, so I’ll just list them:

A small football field on the left with two benches, so the kids can rest.

Some big trees next the corners of the garden and some bushes here and there.

A stone path from the main entrance to the gate.

A shed on the right, with all the gardening tools.

The interior might not coincide with the way it was portrayed in the manga panels, but I like to imagine that after A’s death and L’s parting, things got restructured and the internal organisation changed.

Internal organisation - from the year it was founded to 1993, so even during L’s years there.

I placed L’s arrival in 1988, when he’s about to turn 9, because L is shown to us to be in relatively light clothing in the one-shot “L: The Wammy’s House”, so it can’t be after 31st October. Winchester usually has a high of 11° and a low of 4° in November, and 8° and 2° in December, so I don’t see why he would be dressed up like that.

And 1993, because he says to Light that he has been in England for 5 years, which also means that he is not from there. I headcanon him to be born in Scotland, because it’s hilarious to think he has a Scottish accent that he hides. – “Bang! if Ah was kira, yoo'd be deid.” | “Looks loch someain drapped thes ceel phain in th' crowd earlier.” and so on. It’s so funny. And also, it kind of makes sense why he wasn’t in England before and why he knows standard English. He could also be from Northern Ireland, but he gives me Scottish vibes.

1993 is also the year in which I place A’s death. I don’t follow the timeline from Another Note, because I cannot imagine A and B being younger than L. I’ll talk about this later.

ENTRY

The first requisite for the kids to be brought to the Wammy’s is to show that they are more able than others (as in “able to learn to a faster speed”), and they usually are kids that were in another orphanage already. Watari managed to have a wide social network and, to me, he’s called by the people in charge of that institution (that could his, like he just owns it and is contact with the ones who take care of it) when they realise a kid’s ability. For this reason, rarely there are kids who are very young, and I put that the second requisite is that they have to be at least 5 years old, because the school inside it goes only from elementary school to high school.

Only in exceptional circumstances, the Wammy’s House takes on young kids, e.g., if they were in danger and the Wammy’s was the closest place where they could stay. However, after everything is settled (a matter of a few days), they are transferred to other orphanages administrated by Watari if they are that young. They still can come back, when they are older, but it’s a lot more work to look after toddlers or pre-schoolers.

After passing the entry exam, all the kids have their own personal folders with all their existing documents – birth certificate, medical records, etc. – that will be given back to them once they leave the Wammy’s House.

While the whole letter system became a thing when L appeared, the kids still have to choose their alias, because some of them surely have a troubled past and choosing a new name is a fresh start, as if the bad things that happened to them can’t reach them anymore inside those walls. Since making only some choose it would make them stand out, it was implemented as a general rule.

ENTRY EXAM

To enter the Wammy’s House, you need to take a test. Since every one of the kids that are sent here is with the idea that they are more able, the admission rate is 100%.

The exam covers different abilities: raging from knowledge the orphan should possess for their age to difficult stuff (this knowledge is chosen based on the national curriculum for students up to 18 years old), and it includes other scopes (e.g., musical, artistic, etc. – to understand if they have an inclination to something or if they are interested in that).

There is also a social part. Since they live into a community, it’s good to understand how to live with others. If you don’t pass this part, it doesn’t mean you get automatically excluded, but it can lower your position a bit.

There is an obvious fallacy, because if they theoretically know how to behave towards others, it doesn’t mean they employ that behaviour. In fact, most of the kids “know” how to act in a community, but they have some behaviour issues, and the higher they are in the grade system, the worse they are. I like the irony I created, so I’m keeping it in.

This exam focuses more on the thought process than the result.

THE GRADE SYSTEM

I created a system made by 6 grades + 1, which is called “Apex”.

All of them have a basic requirement in knowledge.

The first three (1 is the lowest, 3 is the highest) are more socially oriented and coincide with elementary and middle school. They mostly teach kids social skills, so they can work all together to get to a common objective, aka pass the grade. They focus on play, conversation, emotional and problem-solving skills.

When developing this, Watari thought it would be quite easy to pass it, but he was wrong. He found out that letting the kids try the test – which is, like, a presentation, a competition and a debate – every year created more hatred between them, so he had to add another year, so they could defuse these feelings and make them understand that cooperation is the best option.

The result here is not that important. The most important part is how they got there and how they all behaved towards each other, which should be inclusive. And, while the kids can maybe work better together as a class or big groups and pass the first two with ease, grade 3 is tricky. Not because the curriculum is hard, but because they need to find a person and trust that they are on the same page as them, but not everyone is eager to get to the new grade.

It never happened for someone of the age 13 to still be in the grade 3, so it was never a problem to “what if they remain there until they become 18?”, because Wammy’s existence is short at this point in time, and usually they find someone, but, in case it happens, Watari has a plan B and it’s individual classes to teach them what they should know at their age. They are still in grade 3 and they still have to do the debate with someone else, but if they pass it, depending on how much they have learnt, they can also do the exam to get to grade 5 or skip the classes about the things they already know, because the other three grades (4 is the lowest, 6 is the highest) are more individualistic. They don’t have to work with the others to pass it, so here is more important the result.

The last “grade” is not a grade, but a category. These are those who fulfilled all the requirements and are “free” to do whatever they want. It’s like they finished high school. They are not required to go to class or take some exams, unless they ask to get a degree or a master, in which case, if they need it, a professor is called to assist them and then, an external qualified examinator to test them and their knowledge. But, other than that, they are completely free.

CLASSES AND TEACHERS

Classes are semi-mandatory, and everyone is greatly encouraged to take part to them. Watari may even talk to those who deems more needing to go to them, which are usually those in the first grades, especially if they misbehave or show anti-social behaviour.

For the first grades, there is one teacher per grade for every subject, since the syllabus is not hard. They are of course specialized in those parts. This choice was made for consistency and to create a great bond with them, since having different teachers might throw off the dynamics that exist within the class.

For the other grades, since the topics are harder, there is a different teacher for subject.

School time is a bit different from the one for the public school:

Youth Month represents the start of summer break.

Classes are resumed in September.

They have all the other breaks like Easter, Christmas and so on.

The classes are from Monday to Friday, and every student has their own timetable that may or may not coincide with those who share their same grade – it depends on what they know already, determined by a test at the end of every quarter.  

ACTIVITIES

Youth Month

For this, I took inspiration from youth games in Italy, which is basically an event that promotes inclusivity, sport, healthy competition, and social relations.

It’s in May, and every Sunday there is a different activity in which pairs compete. There are two different competitions based on age: 7 – 12; 13 – 17.

In 1989, I put that:

May 7: three legs run.

May 14: relay race.

May 21: treasure hunt.

May 27: cops and robbers (the last game is divided into two big groups to give a chance to gain a lot of points for those who didn’t until then).

In 1990, the only change I made is that the third game is ping pong, since it was raining outside.

Holidays

Halloween and Christmas two are the main two holidays that are celebrated, because even though I believe that Watari is Christian and the Wammy’s has an affiliation to Christianity, I don’t think he indoctrinate the kids. That would go against the core of the Wammy’s in my opinion, because kids are supposed to think critically and accepting the existence of God without questioning it is not. They can always turn to that religion if they feel close to it, but it’s not mandatory. They don’t go to Church (imagine two old gay men having to make sure 30+ kids don’t destroy it every Sunday) nor celebrate other very Christian holidays, like Easter. They might have a feast, but it’s not publicly associated to the resurrection of Jesus.

This is a choice I made based on the fact that nobody showcases any belief in any type of supernatural entities. Mello wears a rosary, and it seems more symbolic than him actually believing and practicing the religion. I associate it to his mother, who I like to headcanon as a devoted Christian, since Eastern Europe/Balkans are very, extremely, to a worrying extent religious, to the point that people would rather go to church or call a priest home and pray instead of visiting a doctor to cure any kind of injury.

[Tangent about Church in Romania removed.]

Halloween:

I put that a few days before Halloween one of the older kids is appointed to go around the Wammy’s and take notes of what the kids would love to eat (candies) and what they want to dress up as. Everything is done in the realm of possibilities. Watari is going to buy the costumes he can find. Usually, they are passed down from one person to another, so during L’s years, there have been enough requests to have pretty much the ones that are more common, and the only change is to make them fit the new person wearing it. Kids like also to be crafty, like for a mummy costume, they are going to use toilet paper and so on. It’s more about the candies, because he needs to buy something they will like.

In the first part of the day, Watari calls some people to help him decorate the Wammy’s and carve pumpkins into jack-o'-lanterns. Some kids give a hand, but the others are more preoccupied with their costumes.

The party usually starts at 17:30, after they take a group photo under the “Hallowe’en XXXX” banner over their head. They then play games and just do their things, while eating candies and other sweets. At 19, there is a feast. After that, Watari or Roger tell the kids some age-appropriate scary stories, and 23, Littleton has fireworks, but you really have to be lucky to see them, because it doesn’t have to rain, and it usually does.

Since trick and treat wasn’t popular in UK until the late 80s-early 90s, I put that the kids at the Wammy’s experienced it for the first time in 1992, both because Watari didn’t understand it and he was wary of letting the kids roam around the community, even if accompanied by those who are older.

Christmas:

I wanted to do something different. Watari doesn’t ask the kids what they might want, but tries to surprise them, so that he can make up for all the time he isn’t present, which is a lot. He buys the gifts and places them under the tree in the main hall. After the kids open them, they take again a group photo next to the tree and the kids have all their presents in their hand, showing them to the camera. It’s very cozy and calm holiday. They have a big feast, and the kids are let playing with their new toys. Then, they have some Christmas movies playing.

New Year's Eve:

Watari doesn’t prepare anything special, other than a feast. There are fireworks, that everyone can see from the garden of the Wammy’s.

Valentine’s day:

There are two types, for those older than 14 and those younger, because I think the Wammy’s is strict when it comes to romance (mostly about PDA), which is not that serious at that age, but it’s an important part of growing up and they cannot go around fearmongering that liking someone in a romantic sense is bad. That would defeat the purpose of the first 3 grades. If you can’t like someone in that way, then you can’t even get near them, as to avoid the possibility of that feeling to develop.

Generally, everyone gets chocolates and candies, but they are also required to write a nice card to someone else. This person is chosen by extraction – done by Watari, who can actually pretend that is random, but it’s actually not.

In my fic, they usually write stupid things, like “you are funny”, but some of them get someone they have petty rivalry with, and so they write backhanded compliments, because they can go to Watari and complain of the card, and the other person can just lie that they meant it, that it’s all in good faith.

Those that are older than 14 can ask Watari a gift to buy to someone, but of course, it’s fucking embarrassing to go and ask him that, so they usually just gift their sweets to that person and do a hand-made card for them, if they feel like it. Only those that are more brave go to him ask him to play a rose, a special card or something.

[Edit 2025: on 5th November, there's also Guy Fawkes Night. They do a little bonfire, with each kid burning an effigy of Guy Fawkes. If they are lucky, there are also fireworks.]

Stargazing

I added this activity for the summer break, in which they all gather in a nearby field and look at the sky on some specific. There is also an astronomer called by Watari that can answer their question, but the reason for this was to let the kids feel a bit freer and not confined within the gate of the Wammy’s, especially the younger ones that can’t go to the recreational ground. They can play some games there, but usually they just lay on the ground and talk with each other. There is a telescope they can use.

Recreational ground

There’s a park near the Wammy’s – 20 minutes by foot, but they usually use bicycles to get there. Only those age 13 or up can go there. They can’t go alone, but always with someone. If someone age 11 or up wants to go, they need to be accompanied by someone age 15 or up, because those of 13-14 might not pay attention to them that much, even if they say, “yes, of course”. For extra measure, Watari has the numbers of those who live near the park, that can contact him in case something happens. Those under 11 can’t go there under no circumstances. I decided this because the roads that take to the park are not safe for riding bicycles and there is an age limit for doing that on the road.

Other than the necessary stuff for riding the bicycles, they have a tag with the number of the Wammy’s and a bag with Wammy’s insignia on it, because I did create it. It was just a vision in my mind, but I did a draft using picsart and color, so here you go. It’s not well made, since the lines of the ribbon banner are not straight. The ribbon banner I took from Google was so bad quality that I could see each other pixels, so I had to draw over the border to make it more full. The first idea was to have a W with an H behind it, but I decided to do it like this, also because it has all the letters of Watari. Everything that is propriety of the Wammy’s House has this.

SUCCESSOR PROGRAMME

Premise

First and foremost, I don’t like the idea of Watari being the one to impose it on everyone, without any regard for what they want to do, because I think he’s experienced enough with kids to know that you can just force them to do something. They won’t. You can coerce them by using violence and threats, but none of the kids that we know of showcase any sign of being physically abused.

It’s also important to note that not everyone in the Wammy’s is competitive. Mello is the only one who wants to be at the top. Mello and Linda don’t care, and neither does Near. He is just first, because he is that smart. However, this is after. Competitiveness is more prevalent in the system I had created, because being in the Apex means not having to follow classes or have to listen to teachers. That’s the prime reason for why people want to reach it. It’s not about prestige, because I don’t think the kids, especially younger ones, have that concept wired in them. And usually, as a self-preservation technique, people tend to either consider negative something they cannot reach/have and that opinion is automatically applied to those who can enjoy it, which makes them want to stay away from it so nobody thinks that of them, but if they had the chance to join it, they would take it in a heartbeat.

E.g., imagine someone that wants to go to a water park, but they find out that the entrance costs a lot or it’s far away. They are more likely to think, “well, it wasn’t that good to being with” or that it’s only for rich bastards or something, rather than accept that it’s just unfortunate. They will even talk badly about it to others. However, if they managed to get in, they would enjoy every second of it.

So, in this case, while advancement is okay, getting to the higher position is pretty much a curse, because if you act in a certain way that it’s redeemed rude, then the reason is considered to be your status.

In my fic, when A and B got in to the Apex, people started to have a negative opinion of them. They have always been on their own, but since they are now reserved AND in the Apex, then it’s because they think too highly of themselves and less of others, which makes people find them some times annoying, even when they are doing nothing wrong. They might still interact with them nicely, but that doesn’t mean they like them.

Secondly, the general theme of the Death Note is that people are responsible for their own downfall in a way, so I’m going to follow that when it comes to its establishment and organisation.

L’s idea.

Unlike others in the fandom, I consider A and B to be older than L (4 years apart), so the successor programme was first tasted out when L was living there. Decided this because I want him to see what he caused, and for the reasons in the post I hyperlinked.

I have a kind of specific yet not definitive idea of how L’s life before the Wammy’s was. I won’t write all down because I don’t think it’s that important. The only part that is, is the fact that he managed to stop a terroristic attack to get Watari’s attention, because “go big or go home”, and he was the one who decided to establish the successor programme.

Establishment

When he arrived at the Wammy’s, he wanted immediately to get down to business, and asked Watari to talk to the smartest people there: A and B, together.

L introduced the idea for “when I’m away”, as in “when I am taking a break” – because I imagine him to ramble about his career to Watari in the days they stayed together before going back to the Wammy’s and on the 8-10 hours long trip, and Watari pointed out to him that he needs to have time to play/free time, and L said that he was right, that he’d put someone in his place for that time, he’d teach them what he knew, because he was very good at it, he was basically justice itself for how many things he knew – but A and B took that as in “when he dies”.

It was in that moment that L took everything more seriously. They talked for hours. A and B asked him lots of questions about that project, the possibility of that to happen, and how to make sure that it can last for a long time.

And while the conversation started as more of an abstract idea, after L showed them what he managed to do, they were both impressed and eager to learn to be able to do the same. They too had an interest in solving riddles, and… C’mon, it’s cool to be a detective, especially one that was supposed to be the greatest.

They discussed the technicalities and decided not to limit themselves only to two members, so that’s how the successor programme was actually created. It was also A and B to decide their own names, because they said that, since he’s called L, they too should have they own letters, and, while talking, they said, “I would be an alternative” and “if you are that, then I’ll be your backup”, so that’s how they got them.

Basically, it started with L, but A and B became co-owners of this programme in a way, and L didn’t mind it, because they were older than him, seemed wiser, and he looked up to them in a way.

For the others, the letters were chosen in two different ways: the first smartest people there would be the first letters of the alphabet, while the others would have their own letter based on their real name, because five people were enough.

And I say, “smartest people”, but A and B advised L to look for other qualities other than that, because you can have someone that is extremely intelligent, but if they are extremely reckless too, then that detective persona is doomed to fail.

All three of them talked to kids in grades 4-5-6 and the Apex (in my fic there are other two people here) about this project, but they weren’t obliged to accept. They let L speak, who explained what they were planning to do, showed them what he did, and gave them the choice to accept or not. If they didn’t accept, they would ask them to not divulge the information they discussed. In my fic, no one actually says no, because they think it’s awesome.

In case they accepted, he granted them a wish, something that he would fulfil, so that, if they wouldn’t get chosen, at least they wouldn’t think they wasted time. It’s a quality I noticed in L, while reading the manga. I explained it in my long post about the characters: he compensates his actions, which I think it’s something he picked up as he started to be interested in solving cases (before he arrived at the Wammy’s), because he saw what criminals had to do after they got caught doing something bad, and wasting people’s time is bad.

So, everyone had a choice and L, initially, worked mostly with the first five people in the successor programme, but not immediately.

In my fic, there is the MC that tries to destroy him and his project, but even without her, it makes sense that he would take time, years even, to make sure this project can operate without any vulnerabilities. He’s far-sighted and took things more seriously, thanks to A and B’s inputs, so he wanted to create a solid foundation for this detective persona and the project.

However, he didn’t spend all his time over that, because we know he was into stocks. He is also a child, so he experienced a bit of his childhood: he participated in Wammy’s activities, played with the other kids, spent his time picking and giving up interests, etc. He even had tennis practices and tournaments, so it’s not like he just solved cases. He still did – smaller cases – but not all the goddamn time.

To me, he started when he was 12-13 to solve them periodically, but not publicly, just to have some credibility in the eyes England’s law enforcement, that could then recommend him to other national law enforcement, slowly building up his empire.

There wasn’t this urgency or this pressure to be like him. It was like a long-period plan that still had to show its fruits. L wouldn’t even tell all the members everything he solved – just the first five, because he would give them the case files to practice their skills.

ALTERNATIVE / A

So, he was older than L and participated to the establishment of the successor programme.

For the first years, he didn’t actually think to much about it, but as he was slowly approaching being 18, he started to have doubts about his abilities, because, as said before, L gave him case files to solves and he wasn’t able to get any of them entirely right. He still didn’t want to admit defeat and be a disappointment in the other eyes’, so he tried times and times again. This had an impact on his mental health, of course.

L noticed this change in attitude and told him that he can switch places with B. He had no problem with it, but A, instead of admitting that he wasn’t fit for the position, preferred to argue with him, damaging their relation.

The situation was really heavy for him, and since telling the truth was worse than anything else, his first attempt to leave it was by running away from the Wammy’s. That didn’t go well, because B, with a group of people there, managed to find him. A invented some kind of excuse, that he was being followed, and didn’t want to bring them to the orphanage. B didn’t buy it, and they too started to argue.

So, in that case, telling the truth was worse than death and he couldn’t bear the idea of being a complete failure, and killed himself.

That’s how I see how things went, more or less. And L was blamed for it. The successor programme was interrupted, and some of them decided not to participate anymore, even though they could always return, once and if it would be resumed.

L leaves the Wammy’s the same year, before he turns 14, which is important, because B kills a 13-years old girl by bashing her head, and that what I think he wanted to do to L (in my fic, it’s the MC, but whatever) at that time, but couldn’t.

In my fic, A’s name at the Wammy’s is Natal, because it means birth/birthday. And B’s name is Elioenai, which means “towards him are my eyes”. Now, this can have different interpretations: the “eyes” could mean the Shinigami eyes and “him” could be Natal, or L. I am not sure how much I consider him having the Shinigami eyes to be canon. It’s an interesting concept, but I don’t understand how that would be possible, like what led to that and what else does it mean for B? Is he part Shinigami? Or his mother had wild sex with a Shinigami, that then got some time of punishment by the King, because it’s against the rules?

I don’t know, so I don’t count them as canon, to be honest. Cool, but I don’t get it.

For me, Beyond Birthday means also “After Natal”.

BEYOND BIRTHDAY / B

I don’t believe he went completely insane after A’s death. In my mind, he was always kind of shady, ruthless, based on survival instinct and self-preservation. He had an attachment to A, but he had no problem to consider him also a tool that he could use and then discard, if he needed to. He loved him, but he always prioritized himself, at the end of the day.

If things went differently and A became L, that would not last long, because B would kill him so that he can succeed him, and nobody would question it, because they wouldn’t know what truly happened.

A’s death screwed up his plan and blamed L for it. He wanted to take his place, but he first needed his detective persona to be well established. He let L do the hard work to create it. A mostly gave some inputs to help him, while B supervised it, to make sure that everything was going according to his plan.

Since A was chosen as first successor, he couldn’t convince him to switch places, because he didn’t want him and L to have the impression that he really wanted that.

He honestly believed that L would be the first one to crack, because he was younger, but when A died and the project stalled for an indefinite period of time, he couldn’t take it. He planned his life to go in a certain way, but now L wouldn’t work as L anymore for an indefinite time, making no progress, and the project stalled, without any information on when or if it would be resumed? That made him see red.

If he couldn’t become L, then nobody deserved it, and he decided to impersonate L and ruin his career. If he had managed to kill himself in Another Note, while Misora still believed him to be L, then that would’ve had irreparable damages to L’s credibility, and L would’ve needed a lot of time to get that trust back.

That’s one of my interpretations of the LABB case, because I can’t really explain why B decided to that. We take for granted that the Another Note is canon, given also the praise by Ohba, but… It’s not. I have a hard time to consider things about L published after the manga conclusion canon, because they follow the fandom’s reaction. I consider the two one shots about Near canon, because Near has never had the same kind of fanbase L did and does, so it’s easy to not be influenced by what other people think.

In Another Note’s case, it’s written by someone else and, even though it might be weird to say it, it’s a fanfiction in my eyes, that Ohba considers canon because he is lazy, and couldn’t come up with any type of case L solved. He said that himself.

I pick and choose, basically. I could also throw Another Note out the window, with A and B, and pretend they don’t even exist, and I wouldn’t be “wrong” in doing so, but I like them, even though some parts of the novel leave me confused, because it contradicts the canon.

After A’s death.

I haven’t thought about this too much. I have just a general idea of the fact that the orphanage got restructured in some way, but don’t know what exactly changed. It’s just my gut feeling telling me that, as well as saying that the grade system got replaced by a simple graduation list, who ranked the kids based on points they gathered during the year by doing tests, and etc. Can’t go in-depth, because there is nothing here that I actually explored. It isn’t important in my fic, so I haven’t paid too much time to that. I might start to think about it in the future, but I still want to submit my answer.

It gets tricky when it comes to who decided that Mello and Near are meant to be his successors. It makes sense that it would be something imposed to them, but they seem to want it. Near takes on the title of his successor and even tells Light that he is that, meaning that he does not despise it. Mello clearly wants to be the best, and the best in his eyes is L, and I think this is due to the fact that L, during their time, is an established figure in the world and they want to be like him. He came from the Wammy’s, which tells them that they can reach that level of grandiosity.

In the “It’s not about justice” speech L gives, it said that some of the kids lose respect for him and keep their distance, so it is not mandatory for everyone to be part of the successor programme. Maybe even here, it’s catered more towards the best in the institution, so that position was offered to Near, Mello and Matt (third in line). Mello accepted for obvious reasons. Near because he likes to solve puzzles. Matt because, “yeah, why not”, but never believed that he would ever end up actually taking on that role, because Mello was in front of him. Here, they are not given letters in an alphabetical order, so there isn’t a first or a second for L’s position (it exists only inside the Wammy’s), and it ties well with what I said before about A and B. A felt like he needed to become L and couldn’t back down or ask for help, but now, who feels fit will take on L’s role and can also work with the other, without feeling like they need to do things alone.

I doubt L would make the same mistake twice and impose such job on them, without any regard for their opinion. Besides, I don’t think L believed to die that young, so while they taught them some important skills to be a detective, the idea was that they will become L later in life – 40/50s. Unfortunately, L died young and so even the successors were young.

Maybe it’s just naivety on my part, and the interpretation of the majority in this fandom of the Wammy’s House, Watari and the Successor Programme is more accurate than mine.

Of course, characters’ individual experience of the Wammy’s can be absolutely horrendous and they are not fond of the institution, but I don’t think Wammy’s House was born or became as something meant to create copies of L, especially because Near and Mello’s, as well as Matt and Linda’s, personalities and thought processes aren’t a carbon copy of his. They are their own people, in some way.

That’s all I had to say. I think I wrote enough to get a grasp of my idea of everything, even though there are some parts that I did not disclose or aren’t definitive. So, keep that in mind – I might as well wake up one day and decide to consider Wammy’s a factory of Ls, that resembles the common depiction of Hell in cartoons, but I highly doubt it.

Hope you like it. Let me know. And thank you for the ask, as always.

I kept thinking who you might be, based on when you sent the asks and my notifications around that time – maybe to find a correlation (e.g., you read something I wrote and thought of talking about that) – and I identified some accounts. Some of them are mutuals, that I can now exclude. The other non-mutuals that ship L/Light but have views that are different from yours. So, when I said that maybe I know who you might be, I think I was wrong, so I am quite curious to find out the truth.

Take care, E.H.

[aropride]

how to install dashboard unfucker (for desktop)

hi i use desktop and i use the dashboard unfucker extension by dragongirlsnout and you should too because it's awesome. i don't know much about computers so it was intimidating to set up but ended up being really easy.

but first:

what is dashboard unfucker?

dashboard unfucker is an extention that makes being on tumblr bearable again.

(ID: 2 screenshots of tumblr with urls/posts etc censored. the first is with the new layout, with labels on the left, the ad-free button, "check out these blogs," "explore all of tumblr," the radar, and no easy way to access your own blog. the second is with the extension enabled, the left hand side of the screen is empty, posts are wider, navigation icons are back at the top right, and the only thing on the right-hand side of the dash is the dashbaord unfucker and limit checker and tag replacer from xkit. end ID)

i got it for layout changes like these- the first is cramped and ugly and i feel like i'm on twitter. the second is warm and comfy and i can make my posts wider (i dont like all the empty space). (limit checker, tag replacer, and post color were done on xkit and palettes respectively, not unfucker, btw)

with the dashboard unfucker you can:

hide the following/blog subs/for you etc tabs

get rid of the changes/staff picks/etc carousel

hide recommended blogs and tags

add profile pics back to posts

hide the radar

hide the explore page

hide tumblr shop

hide user badges

highlight bots in ur activity feed

show who follows u in the activity feed

make posts wider/slimmer and move the dash posts position to the left/right

revert messages design (and make the messages box bigger)

revert activity feed to the old design

display vote counts on polls

show poll results without clicking (no more skewing polls or "see results"!!)

disable tumblr domains

add polls to reblogs

disable "post without tags?"

show ns.fw posts

and other things that i probably missed copying this from the settings!!

so how do you do it? it seems scary but it's easy actually. take my hand

(note: i did this on firefox and tested it on chrome, i'm not familiar with other browsers, also use firefox if at all possible fuck chrome)

how to install dashboard unfucker

step 1: install either tampermonkey, tampermonkey beta, greasemonkey, or violentmonkey (if you don't already have it)

note: im using tampermonkey as an example because it's what i use

step 2a: go to firefox extensions/chrome web store/your browser's equivalent

step 2b: look up "tampermonkey" and click "add to firefox/chrome/whatever" and confirm

step 2c: you're done! yayyy

step 2: click this link. look under "installation" where it says "Click on unfucker.user.js to install or update". and click that

(ID: a screenshot of the tampermonkey install page, showing dashboard unfucker v5.7.8 installation information, the source code, and the install/cancel button. end ID)

(it should open in a new tab and look like this)

step 3: click install! (when i did this it didn't look like much happened and i got scared. dont get scared take my hand)

step 4: go to www.tumblr.com and to the right of the dash it'll have the dashboard unfucker label to the right!

(ID: the default dash again, but with the dashboard unfucker title at the top right of the right-hand side of the dash. end ID)

step 5: click the little gear icon and all the options will pop up! u can fuck around with em to ur heart's content. i recommend exporting after ur done and saving it somewhere in case u have to uninstall/reinstall to troubleshoot or smth

you're done! now u can see the results of polls without clicking them and other such things

(ID: a poll i have not voted on. it has 17 votes and 23h 56m remaining. the title is "poll :)" and the answers are "answer 1" "answer 2" and "see results". there are no percentage labels, but the amount each answer has is indicated by light blue bars in each result, as they would be if i had voted. end ID) note: i'm not sure how/if this aspect of the extension is indicated for screenreaders

THIS POST IS TRANSGENDER BTW!

[simblrcc-site]

✨Site Changelogs ✨

Hey everyone!

I finally managed to get around some bug fixes and adding some new things! Here's the whole list of changes:

[Feed] Fixed a crucial bug where you were no longer able to publish a gameplay, lookbook or Personal Post due to an internal error.

[Feed] Fixed an issue where the updated date would show up for new posts.

[Uploader] Fixed an issue where the uploader thought that a Personal Post was a mod, and therefore never met the internal requirements to be postable.

[Profile] Fixed an issue where, when pressing the "personal post" tab in Tab view, the posts would stretch. It will now do a proper mosaiq layout.

[Download] Made the tags user experience much better by hiding the tags when they're not necessary, and adding them in a different block. (Page for choosing categories)

[Download/Deadsites] Fixed an issue with the carousel, where the fullscreen carousel will start from the beginning, rather than starting on the image you clicked on further into the main carousel.

[Deadsites] Fixed an issue where using the fullscreen carousel in one collection, exiting it, and then entering another collection and using the fullscreen carousel, would render the page unusable.

[Deadsites] Fixed an issue where sometimes images you'd delete on a newly created collection, would sometimes still be uploaded, despite having been deleted initially.

[Deadsites] Added thumbnails to a site's collection list.

[Deadsites] On the page where you see all the deadsites, added a "Filter per Category", in case you want to find new creators that way.

[Text Editor] Fixed an issue where xml would show up empty on the actual posted page.

NOTE: If you are going to post xml snippets, they HAVE to start with <?xml version="1.0"?>. Otherwise it will still happen!

Happy simming!

[ilikemicrowaves]

I LOVE THE JASMINE LAYOUT OMG.. i think i have the same carousel for my kids music playlist 😭😭

BUT ANYWAYS ITS SO CUTSIE I LOVE IT.. JASMINE MY DAUGHTER I HAVE SO MANY THOUGHTS ABOUT HER.. SO MANY HEADCANONS SHES MY DAUGHTER

FR LIKE LOOK AT HER <33

[mirror-ralsei]

MINI THEORY: Egg-veryman

Look, I'm not the first or only person to believe the man behind the tree might be Everyman. Just from a quick search, here's a theory and depiction preceding mine: 1 (huecycles), 2 (JJayBlaze123).

But as of the Spamton Sweepstakes, I do agree they're our most likely candidate. Here's a breakdown of all the evidence that personally led me to that conclusion.

Let's take a look at details we know about the egg man that might help us identify him:

The room's layout resembles mysteryman and “[redacted]”

He seems to exist in a cat state, just like the eggs he gives.

Noelle's story may imply, if the man is anything like his eggs, that the man is disturbing in some way.

There is graffiti clue of the egg tree in the same color as the ICE-E spraypaint in the alley. (Credit to VGFM for noticing this!)

He can be seen in a car.

While in the car, he is waving at us, and he “might be happy to see” us.

Spamton may know him.

He has never spoken out loud.

Comparing this to Everyman:

Everyman has not appeared in the overworld yet. (Unconfirmed)

We don't know enough about UTDR's cat states or Everyman to confirm or deny this point. (Unconfirmed)

Everyman is disturbing enough to have their first appearance be in the True Lab lmao (Likely)

Graffiti of Everyman is right next to the ICE-E graffiti. (Plausible)

We don't know if Everyman can drive lol (Unconfirmed)

We don't know if Everyman would wave to us or not, since we know little about them, but they are described as “Just a good guy who shows up on occasion,” and “might be happy to see you” seemingly would either be a reference to a cat state (as in “they might be happy, they might not be”), or referring to being uncertain if the egg man is happy (as in “they might be happy, but I could be wrong”) - the latter would make sense, as Everyman has never emoted with their face in any appearance so far, and would thus be difficult to read. (Plausible)

We don't know for sure if Spamton knows Everyman, but we do have this interesting line: “WE DON'T NEED ANY [Man, Woman or Child] [At Half-Price]!” While it's unclear what character, if any, “[At Half-Price!]” is referring to*, every other bracket in these “WE DON'T NEED...”s seems to indicate a character Spamton knows: [Easels] seems to be Swatch, [CRTs] seems related to an upcoming Chapter 3 character from the “cathode crew,” and obviously there's Mike. And I suspect that “[Man, Woman or Child]” may indicate “Everyman.” It includes the “man” part while throwing out a generic umbrella for a lot of people - "every." (Plausible)

Everyman has never spoken out loud. In fact, their silence is such a notable part of their character that their Queen battle cameo has them give a noticably blank dialogue bubble, in stark contrast with all the others. They visibly fall to their knees in agony when overtaken by butterflies, but cannot scream. Even their visual design has them noticably lacking a mouth. (Likely)

As you can see, many of these points range from plausible matches to confirmed ones. And the remaining points are left inconclusive, not deconfirmations.

There's also these additional clues:

The egg given to Noelle was titled ““SPECIAL”” in quotations and without a period. In the first documentation of Everyman's name, Fox replied “”Everyman”” exclusively in quotations and without a period.

Noelle notes that the egg “didn't seem to be doing anything" - in most of Everyman's appearances, they do not move, with the exceptions being after they are attacked and taken over by butterflies, and while they are propelled by a carousel (but still stationary themself).

Everyman is made of round shapes, which could concievably allow them to appear in Cat Petterz.

Subjectively, Everyman resembles a white, embryonic-looking bird, all of which relate to eggs. Spamton even mentions the white color of the egg man's eggs when saying “A WHITE ONE, THAT'S SURELY [another man's treasure].”

Subjectively, I think the Waltz of Seccom Masada, or whatever the egg room theme is called now, suits the Everyman character very well: starts in major key to indicate friendliness, but something is slightly, unnervingly off about it...strange, even. (ba dum tss) Everyman's visual design is similarly made up of round, friendly shapes, yet is very disturbing due to a variety of factors.

“Just a good guy who shows up on occasion” perfectly describes the egg man's appearances behind the trees.

Again, Everyman is also heavily tied to the term “man”: both with “Everyman” and “strangeman.”

Literally clones their head like an egg.

We know little about Everyman, but what we do know seems to line up with the man behind the tree.

*(If I could hazard a guess, I don't actually think [At Half-Price!] is referring to a character, but a property about [Man, Woman, or Child]. Specifically, I think Spamton means that the character has been "cut in half" in some way. Why do I think this? See my theory about division through reflection, a motif that seems to be cropping up a lot.)

[terrence-silver]

Terry getting jealous of a guy Beloved meets at a gala, or literally anywhere lol. I’d like to see him getting overprotective and angry 🤭

---

During the afterparties of black tie events, all the gamblers tend to come out.

Champagne is copious and the podium contains ice sculptures and pyramids made out of filled liquor glasses trickling down, like a sparkling fountain. The jazz is loud and blaring as nightgowns shimmy back and forth on the shiny podium. Laughter resonates across the gold lit, music-filled hall of the Ritz's lushly carpeted Banquet Room. A wooden, dark mahogany roulette wheel spins with a gaggle of curious gawking eyes following it's circular motion like a hypnotic carousel and you make yourself at ease in the crowd. When Terry tends to leave, he tends to leave for but a second. His absences as short as they can be and the presence of his vice grip, or at least the shadow of it, so poignant, that even when he's gone, you feel like he's right beside you, lingering to the point you barely even notice you joined the company of people looking at the roulette wheel and that someone was addressing you. -"Wanna help me with a lucky number?"- The suited up man next to the dealer asks, the frilly collar of his black bow tie untied and disheveled. He seemed like he had a couple of extra drinks from the champagne pyramid tonight. You aim for the political correctness of politeness regardless.

-"Oh, I'd rather not. Don't want to be responsible if you hit a losing number."-

You try, apologetically, to shake him off and being as nice as you could about it. Really, in all honesty, the last thing you wanted was to irk an inebriated man in spite of the security detour at all exits or in equal measure be responsible for him throwing money out the window at your personal suggestion. He gives you a lingering look, up and down, like he was assessing you. -"You're Silver's, right?"- He asks, slurring a little and my god, was it that obvious? Like it was stamped on your forehead. The fact is almost amusing. You chuckle. Terry would feel proud at that one, especially considering the possessive noun that was attached to the state of belonging to Silver. -"You know him?"- You inquire, more with the objective of making small talk for its own sake than anything else. -"Who doesn't, c'mon. He's bigger than the economy of Denmark."- The man shakes his head and you quite honestly don't know what to say to that, not wanting to chortle in front of a drunk man, even though, admittedly, the statement was funny was much as it was undoubtedly true. -"So? Suggestion? From a friend's friend to another friend? I can handle a bit of losing, promise."- You sigh at his insistence, capitulating. You supposed it was partially your fault for deciding to tune out from the party in front of the crowded roulette wheel table of all places, but you digressed. -"Okay, if you absolutely insist then; Black. Twenty eight."- You shake your head, managing a harmless smile, watching the man place his bet on the smooth green layout in front of the dealer. The wheel spins.

You nearly jump out of your skin when you feel a familiar arm.

Terry's finger's sneaking themselves around your waist from behind.

-"Quit while you're ahead, Al, all the best gamblers do."-

You feel his chuckle against the back of your spine as he addresses the slightly tipsy guy and you feel instantly relieved and in equal measure, tense. Something about Terry addressing people with sayings and proverbs always carried the scent of danger about it. Like he was giving them an artificially kind piece of life advice with a double meaning before encouraging them to drink some Arsenic. -"Terry! How are you!"- The titular Al extends his hand across the table of chips and dices, shaking hands ardently while Terry's other free arm was promptly slung around you. You knew his penchant for jealousy and you genuinely hoped that you being accidentally (and involuntarily) chatted up by a drunk guy at a party full of people with champagne glasses in their hands wouldn't induce any of his envy, but watching their friendly exchange, you count your blessings. Yeah, they were probably just acquittances and everything was fine. -"I imagine it's my lucky night tonight! I had your lovely companion giving me tips."- Al clarifies gesturing at you, downing a straight shot of Cognac like it was water. Lovely. He called you lovely. You nearly bite your tongue imagining what was going on in the back of Terry's head, envisioning the grinding wheels.

His grip around you tightens seamlessly.

-"Since I see you're already introduced, I might wanna give you your next one."-

Terry's all charm and all smiles, but you sense a backhanded sort of politeness and veiled hostility in that statement, looking around the crowd, wondering if any of the energized faces focusing on the game noticed, finding they were fading into a blur of euphoria. -"Your turn, sir."- The dealer suited up with white gloves announces and you really wanted to get away from this table; while you were never a fan of chatty drunks and you made an endeavor to avoid them and be tactical with them if you could, you didn't exactly think they deserved some terrible fate befalling them merely for making the mistake of speaking to you. Terry did, though. That's exactly what worried you. -"Hit me, baby!"- Al excitedly slaps his hands together, ready for the next round. -"Oh, I'll hit you alright, pal."- Terry interjects and at that point, the alarms are off in your head. God, god, god, no, please. Nothing about those words was actually amicable or well intentioned as they seemed. You feel Terry's fingers practically dig into the fabric of your attire, squeezing. -"Red, twenty eight."- As promised, Terry makes his suggestion, leaning over to Al and dealer, taking note of it, spins the wheel. The dice turns and turns, until it lands on the wrong number and Al throws hands back, disappointed and making no effort to hide it. In fact, his emotional outburst was colorful enough to have people staring. -"Oh, man! Seriously!"-

-"Told you to quit while you're ahead."-

Terry jokes and at that point, you're officially numb with anxiety.

What was he planning?

-"Oh, brother. I need a drink. They're taking the fucking skin off my back."-

Al swipes an exasperated hand through his hair, stumbling backwards and turning around, heading for the bar, the crowd starting to whisper, alerted by his loud display of obscenities. Terry was doing this on purpose. He was, wasn't he? Smoothly talking this guy into acting out and embarrassing himself. -"What are you doing?"- You demand, furiously, whispering into Terry's ear, irked and annoyed once he responds by snuggling closer until his cheek is practically pressed against yours in a possessive, jealous display. No. Seriously. This had to stop. Now. -"The dealer owes me a favor and the owner of the establishment is an old friend."- Terry coos and of course he had connections at places like this. The aforementioned dealer meets his gaze and they nod at each other in mutual understanding and you gulp, feeling uneasy. -"He lost ten thousand dollars because of you, Terry!"- You seethe, whispering. -"So? The price he pays for looking at you like you're something to devour."- He's drunk, you yearn to retort swiftly. He's looking at everyone and everything like it's something to devour. Time's short, though and Al comes waddling back to the roulette table, a fresh drink in hand. Oh, for the love of god. Terry's arm around you is in a vice grip at that point, holding you in place. You dig your fingers into his wrist, but he doesn't budge. You swear you hear him chuckle, in fact. -"Okay, I feel hot!"- Al shouts with a newfound hope for winning and Terry strategically leans over, whispering the next number. -"Black twenty two."- You hear Terry mutter and you dig your nail into his arms, fidgeting to the side, trying to get him to leave this nonsense behind. The wheel spins and Al looses again.

-"No! Seriously!? Again!? Come the fuck on!"- He yells.

You were pretty certain the entire hall was looking at the the man at that point.

-"Terry..."- You try, silently, almost begging, regret lurching in your belly.

-"They're trying to hold an honest gambler down. You gonna stand for that, my man, huh?"-

Terry leans over for, perhaps, the third time in a row, muttering into the man's ear's, dripping in some verbal venom, and it hits you there and then, that to an outsider looking in, it must've seemed like Mr. Silver was trying to de-escalate the situation and talk the guy into calming down, but closely glued to Terry as you were, held unto by his arm, it was blatantly obvious that that meanspirited glint in his eyes was present in his hooded gaze. He was trying to make sure this man gets thrown out of here by security and blacklisted from attending future events, wasn't he?

He was annihilating what he thought was his competition, right?

Of course that's what he was doing.

Terry's hand travels discreetly south until he's touching your thigh and you, in a sense, get your confirmation. He was being territorial. -"Oh brother, the system is fucking rigged! I should've gone to Vegas."- Al starts slurring, antagonized, dropping his drink and spilling half of it over his tuxedo and hissing as a result, throwing his dice aggressively, until it bounced off of the table with a loud clank and landed on the floor. -"They don't want a self-made Industrialist making it big and scoring his slice of the American dream."- Terry quietly encourages, filling this guy's head with conspiracies and you discreetly try to nudge him in the ribs to get him to stop. You got it, okay? You got it! He didn't like people having your attention even if it was for all but five seconds, but this has gone on for too long, with your attempts interrupted by a suited up security detour interrupting he drunken ruckus and placing their hands on the man's shoulders with the intention of leading him outside of the venue, getting his attention with a diplomatic Sir, please, we'll escort you. -"Oh, fuck you, man! Don't touch me!"- He shouts, slinging his shoulder backwards at a futile attempt to throw hands as the security grabbed him, fully willing to drag him, if need be. You cover your mouth with your hand, unable to look at the scene, feeling all of this was your doing. You fault. All of it. Silently, Terry's finger finds your chin and tilts it back, ever so gently, where the gesture might've been mistaken for affection, making you look. -"Let me play! I've a constitutional right to win! The same as those old money Wasps do! Get fucked!"-

The shouting escalates and soon fades.

He's pushed down a back exit somewhere down the corridor.

The hallways echoing with his cussing until it promptly disappears.

The whispering and chatting in the grand hall continues, waiters making rounds.

The gossip making just as many around the stacked bar and the smoking joint.

Terry undoubted got his wish; getting rid of someone who was in your sphere.

Didn't even have to move his tiniest pinkie to achieve that.

-"You did that on purpose. As revenge over him just speaking to me."-

You state the obvious, your voice low and sour. His hand finally lets go of your waist and instead sneaks a feel of your lower back and posterior. You click your tongue, swiftly moving away from the damnable roulette table before he can get too handsy, because the last thing you needed after that circus is him getting horny too, atop of everything, even though you felt it was already too late for that. Him merely influencing someone getting into trouble like this was often enough to get him going, like an aphrodisiac. -"Don't wanna talk smack about him, but old Al's always had a bit of a gambling problem. I had no idea he had a violence problem too."- Terry feigns sympathy peppered with the cutting edge of mockery as he follows suit, behind you, ever the gentleman, adjusting his lapels, his nostrils positively flaring with mirth, leaving you with the only slightest trace of anger in his tone, subdued and buried under layers of sarcasm, coming through like some sort of venomous thing. -"If it puts your mind at ease, I'll have Milos send him a 'Get Well' fruit basket the minute we're outta here."- Terry promises and you were certain he'd do that solely as some sort of elaborate victory dance over some gambling drunk. Worst of all, he'd seem like a nice guy for it. -"Schemer!"- You practically spit when he grabs you ass again and his arms take hold of your shoulders, spinning you around to face him the second you reach a secluded hallway, his eyes close enough to reflect your face back to you like a mirror. -"Oh, deep down, you know you liked it."- He taunts, purring, bearing his teeth in a shark-like smile.

-"You love it when I scheme and don't get caught for it."-

[luvnami]

ushijima shrine is mostly complete!! not really happy with the layout (i can't fit my 20cm doll inside... so he's sitting on my desk for now), but im in love with the pieces i have rn hehe

links under the cut from where i got my stuff! they're mostly from taobao or second hand

top left:

adlers coaster - second hand from carousell

adlers id card + shiratorizawa name tag

kageyama, hoshiumi version available

after the game polaroid

bokuto, akaashi, oikawa version available

ushijima mochi (first series) - gift

bottom left:

shiratorizawa rabbit - bought from animate in 2016

what to eat acrylic + card set

hinata, kageyama, kuroo, kenma, bokuto, oikawa version available

ushijima + tendou clear card - second hand from carousell

racer keychain + standee + badge

oikawa, sakusa and kenma version available

white day ticket + standee + badge

bokuto, hinata, hinata, nishinoya, oikawa, kageyama, kenma, atsumu, suga version available

top right:

ushijima + tendou badge

akaashi, oikawa, hinata, kageyama, iwaizumi, bokuto, kenma, kuroo, yamaguchi, tsukishima version available

custom keychain - shopee

bottom right:

acrylic card holder

kagehina, iwaoi, kuroken, bokuaka, miya twins, tsukishima, sakusa, hoshiumi version available

rubber keychain - gift

perfume - moon river co.